Articles in Refereed Journals

2009:
Zielke Marjorie, Evans Monica, Dufour Frank, Christopher Timothy, Donahue Jumanne, Johnson Phillip, Jennings Erin, Friedman Brent, Ounekeo Phonesury, and Flores Ricardo,
“Serious Games for Immersive Cultural Training: Creating a Living World”,
IEEE Computer Graphics and Applications, (March 2009) 49-60

2010:
Zielke Marjorie, Dufour Frank, Friedman Brent, Hurd Dan, Jennings Erin, and Kaiser Michael,
“Using Conscript™ to Train Cross-Cultural Decision-Making in a Serious Game”, Advances in Cross-Cultural Decision Making, ed by Dylan Schmorrow, Denise Nicholson, Boca Raton, FL: CRC Press, (2010) 430-440

Dufour Frank, Hardee Gary, LeFlore Judy, Zielke Marjorie
“Game Based Virtual Patients- Educational Opportunities and Design Challenges”, (Paper presented at the Interservice/Industry Training, Simulation, and Education Conference, Orlando, Florida  (I/ITSEC) Nov 29- Dec 2 2010)

2011:
Dufour Frank, Hardee Gary, Zielke Marjorie,
“Creating Micro-expressions and Nuanced Nonverbal Communication in Synthetic Cultural Characters and Environments”, (Paper to be presented at the Interservice/Industry Training, Simulation, and Education Conference, Orlando, Florida  (I/ITSEC) Nov 28- Dec 1 2011)

Dufour Frank, “Acoustic Shadows an Auditory exploration of the Sense of Space”,
Sound Effects, an Interdisciplinary Journal of Sound and Sound experience. Volume 1. Aarhus University Press. Denmark. (August 2011) 83-97

2015:
Dufour, Frank. Dufour, Lee. “DreamArchitectonics. The Other Dream Work”. Submitted: Leonardo Journal. MIT Press. Cambridge. MA. (April 2015). Accepted for publication.

Ganguly Anshuman, Dufour Frank. “Exploring Feedback Noise With Ambisonics”. Submitted: IEEE Dallas Circuits and Systems Conference (DCAS) 2015. Accepted for publication

Dufour, Frank. “A Study of Sound Objects and Structures”. Submitted: Interference. Trinity College. Dublin. Ireland.
http://www.interferencejournal.com/articles/writing-about-and-through-sound/a-study-of-sound-objects-and-structures

2019:
Dufour, Frank, et LabSynthE. Listening through Silence. RE:SOUND – 8th International Conference on the Histories of Media Art, Science and Technology 2019.

Dufour, Frank. « La composition musicale comme expérience ». Numéro 3 Revue LINKs. Avril 2019.

Creative Works:

2008:
Dufour Frank, Sands,
Audiovisual Composition
Invited performance for a Concert at the Cité de la Musique, Marseille France (March 2008)

Dufour Frank, Grains,
Audiovisual Composition
Invited performance for a Concert at the Cité de la Musique, Marseille France (May 2008)

2009:
Dufour Frank, Moving Through, Images and Sounds
Invited performance for a Concert at the Cité de la Musique, Marseille France (February 2009)

Dufour Frank, Highest Fidelity
Juried Sound Installation,
CentralTrak, Dallas, Texas USA (January-February 2009)

Frank Dufour, Les Temps d’Art, collective retrospective of the laboratory Musique et Informatique de Marseille,
Vasarély Foundation, Aix, France (August 2009)

2010:
Dufour Frank, Riccio Thomas, The Invention of Memory.
Juried Interactive audiovisual installation,
The Non Profit Margin,
CentralTrak, Dallas, Texas USA (May-July 2010)

Dufour Frank, Coastlines
Curated Sound installation for the exhibition Coastlines: Images of Land and Sea,
Dallas Museum of Art (April-August 2010)

2011:
Dufour Frank, Lee Dufour, Soft Thresholds
Invited performance for a Concert, Cité de la Musique, Marseille, France (February 2011)

Dufour Frank, Lee Dufour, Acoustic Shadows
Curated Interactive Audiovisual Installation,
Fondation Vasarely, Aix en Provence, France (April-May 2011)

2012:
Dufour Frank, Lee Dufour, Acoustic Shadows
Curated Interactive Audiovisual Installation,
Center for the Creative Connections, Dallas Museum of Art (November 2011-April 2012)

Dufour Frank, Nancy Rebal, David Searcy, Wave-mechanical Aspects of Forgiveness
Juried Interactive Audiovisual Installation,
Sonic Architectonic, Visual Arts Gallery, The University of Texas at Dallas, Dallas Texas (February 2012)

Dufour Frank, Riccio Thomas, Not So Indifferent,
Juried Interactive Audiovisual Installation,
CentralTrak, Dallas, Texas (September 2012)

2013:
Dufour Frank, and Kristin Lee. “Acoustic Shadows II”.
Curated installation at the Aurora Festival. Dallas,
Texas (October 2013)

2014:
Dufour Frank, and Kristin Lee. “DreamArchitectonics”.
Interactive multimedia installation.
Dallas Contemporary. Dallas, Texas. (October-December 2014)

2016:
Dufour Frank, and Kristin Lee. “1 Day in D. Dallas SoundScapes”.
Audiovisual Installation.
Exhibition Dallas, Big D. Grande Orangerie. Dijon. France. July 2016

Dufour Frank and collective LabSynthE. “TodesFuge. An Interactive Translation of
Paul Celan’s poem.
Interactive Installation. Holocaust Remembrance Day. ATEC building. Dallas, Tx. USA. May 2016

Dufour Frank and collective LabSynthE. “Big Dada. A celebration of Dada’s 100th
Anniversary.
Multimedia Performance. Center For Creative Connections. Dallas Museum of Art.
Dallas, Tx. USA. Nov. 2016

2017:
Dufour Frank, and Kristin Lee. “dreamSpace”.
Interactive multimedia installation commissioned by Soluna Festival.
Dallas, Tx. USA. (May 2017)

2018:
Dufour Frank, “Sans Voix” Composition électroacoustique spatialisée. Festival « Visiones Sonoras ». CMMAS. Morelia, Mexico. (Septembre 2018)

2019:
Dufour Frank, “Time Reversed”, Live Performance of sound poetry. Taller 30, San Miguel de Allende, Mexico (May 2019)

Dufour Frank, contrepoint sonore de l’exposition SĪMURĞ, curated by Muriel Quancard, featuring works by Hope Atherton, Nicolas Baier, Gonzalo Lebrija, Anne Lindberg. Josée Bienvenu Gallery, NY. 2019.

Articles Appearing as Chapters in Edited Volumes:

2012:
Dufour Frank.  ”Approche écologique de la perception des dimensions temporelles de la musique et des arts numériques et Unités Sémiotiques Temporelles”  (An ecological approach to the perception of the time dimension in music and digital art and Temporal Semiotic Units)
Topicality of musical universals / Actualité des universaux musicaux. Edited by Jean-Luc LEROY, Edition des Archives Contemporaines Paris 2012. 225-235
ISBN 9782813000613.

2013:
Dufour Frank. “Analog vs. Digital Recording”. Music in American Life: An
Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture,  Edited
by Jacqueline Edmondson. ABC-CLIO.Santa Barbara, CA. 2013. 42-44

2017:
Burrough Xtine, Dufour Frank. “Creativity”. Keywords in Remix Studies. Edited by Navas Eduardo, Owen Gallagher, Xtine Burrough. Routledge. London. UK. Nov. 2017

Articles in Unrefeered Publications & Presentations at Professional Meetings:

2008-09:
Dufour Frank, “Propositions for a time based method for description, analysis, and design of Computer Art”,paper presented at Computer Art Congress 2008,
University of Monterey Tec, Mexico City Campus, Mexico (March 26-28 2008)

Dufour Frank, “Musique Concrète” as one of the preliminary steps to Acoustic Ecology, SoundScape, Journal of the World Association for Acoustic Ecology, Volume 8 Number 1 Fall-Winter (2008)

Dufour Frank, “Images de la Musique”,
paper presented at the Maison des jeunes et de la Culture,
Université de Savoie, Annecy, France (March 2009)

Dufour Frank, “La Musique dans l’Environnement Technologique”
paper presented at the international colloquium Les Arts dans le Cadre Actuel de la Théorie de l’Évolution,
Université de Provence, Marseille, France (October 2009)

2010-11:
Dufour Frank , “Approche écologique de la perception des dimensions temporelles de la musique et des arts”,paper presented at the International Colloquium: Les Universaux en Musique,
Université de Provence, Aix, France (December 2010)
Dufour Frank, “Designing Sound for non-narrative films”,
Paper presented at the Music and the Moving Image Conference,
New York University, New York (May 2011)

2012-13:
Dufour Frank. Member of the steering committee and moderator at the 3rd Computer Art Congress, Paris, France (November 2012)

Dufour Frank. Arts of Time. Conference at the Dallas Contemporary. Dallas, Texas (January 2013)

Dufour Frank. Digital Tools for Research in Audiovisual Documents. DFW-Are Digital Humanities Colloquium. UT Dallas. Richardson, TX (February 2013)

Dufour Frank. The Sounds of Science. Conference at the Perot Musuem of Nature and Science. Dallas, Texas (September 2013)

Schulte Rainer, Dufour Frank, Rosen Michele. Translation in the Digital Age. ALTA conference. Bloomington, IN (October 2013)

Dufour Frank. Intersemiotic Translations. Texas Art education Association. Dallas, Tx (November 2013)

2014:
Dufour Frank. “The Gréaud Effect”. Patron Magazine. (Nov-Dec 2014)

Dufour Frank. “The Art Effect, The Translational Ecology of Contemporary Art,” Panel Discussion with Loris Greaud, Nicolas Bourriaud, Eric Mangion, Charissa Terranova, Noah Simblist.
 Edith O’Donnell Arts & Technology building. Dallas. Tx (January 2014)

Dufour Frank. Public Interview with artist Loris Gréaud. Dallas Contemporary. (January 2014)

 Dufour Frank. “Emerging Artistic Practices as Models for Globally Distributed Education”. Paper presented at the 9th International Conference on Human Learning Systems. Cotonou, Benin. (June 2014)

2015:
Dufour Frank. “Sound at the Crossroad of Artistic Expressions”. Conference. The University of Guanajuato. Guanajuato. Mexico. (February 2015)

Dufour, Frank. “The Unplayed Note Museum. Loris Gréaud at the Dallas Contemporary. Failure and Success of Irresolution”. Oazarts Magazine. Paris, France. (April 2015)

Dufour Frank. “Printing Sounds. Sounding Images”. Late Night Art Bytes. Dallas Museum of Arts. Dallas. (August 2015)

Dufour, Frank. Bart Weis. “The French New Wave.” Roundtable for the French New Wave Showcase. Alamo Drafthouse. Richardson (September 2015)

Dufour Frank. “Sacred Geometry Roundtable”. Sacred Geometry Renaissance. UT Dallas. Dallas (September 2015)

Dufour Frank. Goujart, Adrien. Gréaud, Loris. ‘Light in the Abyss”. Roundtable discussion for Aurora Festival. Dallas (October 2015)

Dufour, Frank. “Time Machine Replay”. Conference Performance. CentralTrak. Dallas (November 2015)

2017:
Dufour Frank, Emmanuel Lefrant. “Ultra-Seeing. An exploration of Experimental Cinema from the Perspective of Synesthesia, Visual Music, and Visualization of Music”. Monthly curated screenings. Nasher Sculpture Center. Dallas, Tx. USA. Sept 2016-May 2017

2018:
Dufour, Frank. “Listening, a step toward transcendental attitude.” Conférence-performance. Festival « Visiones Sonoras ». CMMAS. Morelia, Mexico. (Septembre 2018)

Dufour Frank, “Sans Voix” Composition électroacoustique spatialisée. Festival « Visiones Sonoras ». CMMAS. Morelia, Mexico. (Septembre 2018)

Frank Dufour, co-organisateur, co-directeur du comité scientifique, et modérateur. 6th International Computer Art Congress. Guanajuato, Mexico. (Octobre 2018)

2019:
Frank Dufour. “Our world : the art of Marcela Armas, Gilberto Esparza, and Ivan Puig.” Conférence invitée au festival d’art contemporain ZONA MACO, Mexico City, Mexico. Février 2019.

Frank Dufour. Sobre lo Natural. Catalogue de l’exposition du collecte d’artistes Taller 30 au Musée d’Art Contemporain de Querétaro, Mexique. Novembre 2019.