SUGGESTED READING LISTS BY DOMAIN
Philosophy and Time
Bergson, Henri. The Creative Mind: An Introduction to Metaphysics. Translated by Michelle L. Andison. Mineola, NY: Dover Publications, 2007.
Heidegger, Martin. Being and Time: A Translation of Sein und Zeit. Translated by Joan Stambaugh. Albany: State University of New York Press, 1996.
Husserl, Edmund. On the Phenomenology of the Consciousness of Internal Time (1893-1917). Translated by John Barnett Brough. Dordrecht: Kluwer Academic Publishers, Inc., 1991.
Merleau-Ponty, Maurice. Phenomenology of Perception. Translated by Collin Smith. London: Routledge, 1958.
Moran, Dermot. Introduction to Phenomenology. London: Routledge, 2000.
Steigler, Bernard. Technics and Time, 1: The Fault of Epimetheus. Translated by Richard Beardsworth and George Collins. Stanford: Stanford University Press, 1994.
Interactive Narrative and Semiotics
Barthes, Roland, An Introduction to the Structural Analysis of Narrative
Barthes, Roland. 1977. Image – Music – Text. Collins: Fontana.
Bal, Mieke, Narratology: Introduction to the Theory of Narrative, University of Toronto Press; 2nd edition (December 31, 1997)
Eco, Umberto, The Open Work
Kristeva, Julia. 1980. Desire in language: A semiotic approach to literature and art. New York: Columbia University Press.
Propp, Vladimir, Morphology of the Russion Folktale
Ricoeur, Paul, Time and Narrative, Volume 1, 2 and 3
Robbe-Grillet, Alain. For a New Novel. Essays on Fictions. Northwestern University Press.
Hypermedia
Aarseth, Espen J.,Cybertext, Perspectives on Ergodic Literature, John Hopkins University Press, Baltimore 1997.
Bolter, Jay David, Writing Space: the Computer, Hypertext, and the History of Writing, Lawrence Erlbaum Associates, Fairlawn, New Jersey, 1991
Bolter, Jay David, Understanding New Media, Cambridge: Massachusetts Institute of Technology, 1999
Delaney, Paul & Landow, George (éd) Hypermedia and Literary Studies, Cambridge MA: MIT Press, 1991, 354p.
Laurel, Brenda, Computers as Theatre, Addison-Wesley, 1991
Manovich, Lev, The Language of New Media. The MIT Press.
McLuhan, Marshall, Understanding Media, The extension of Man, The MIT Press (October 20, 1994)
Murray, Janet H. Hamlet on the Holodeck, The Future of Narrative in Cyberspace, The Free Press, New-York, 1997
Nelson, Ted, Literary Machines, Mindful Press, Sausalito, California, 1981
Music
Adorno, Theodor W. Aesthetic Theory. Translated and edited by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1997.
Adorno, Theodor W. Night Music. Translated by Hoban Wieland. Calcuta: Seagull Books, 2009.
Adorno, Theodor W. Philosophy of New Music. Translated and edited by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006.
Attali, Jacques. Noise: The Political Economy of Music. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1985.
Bosseur, Dominique and Jean-Yves. Revolutions Musicales: La Musique Contemporaine Depuis 1945. Paris: Le Sycomore, 1979.
Cage, John. Silence. Middleton, CT: Wesleyan University Press, 196
Chion, Michel. Audio-Vision: Sound on Screen, trans. Claudia Gorbman. New York: Columbia University Press. 1994
Clarke, Eric F. Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. Oxford: Oxford University Press, 2005.
Dack, John. “Pierre Schaeffer and the significance of radiophonic art.” Contemporary Music Review. Volume 10. Number 2. 1994. 3-11.
Hugill, Andrew. The Digital Musician. New York: Routledge, 2008.
Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge, MA: MIT Press. 1999.
Schaeffer, Pierre. Traité des objets musicaux: Essai interdisciplines. Paris: Seuil, 1966.
Sound
Bregman, Albert S. Auditory Scene Analysis: The Perceptual Organization of Sound. Cambridge, MA: MIT Press, 1990.
Lastra, James. Sound Technology and the American Cinema: Perception, Representation, Modernity. New York: Columbia University Press, 2000.

LINKS TO SOURCES PER TOPIC
Acoustics
A.Bregman, Auditory Scene Analysis
The American Society For Acoustic Ecology
Ear to Earth
Barry Truax, Sound Ecology

Electroacoustics
Peter Chilvers, Generative Music
Karl Heinz Essl, Software and Algorithms
Sound Toys
Laboratory M.I.M

Visualization of Music
Luc Ferrari
IRCAM
Visualization of Tonality
Graphical Scores

Sound Art
Cécile Babiole, Installations, Performances, Theater Artist 
Piano Graphique by Jean-Luc Lamarque
Le Ciel est Bleu
Generative Music by Antoine Schmitt

DOCUMENTS DOWNLOADS PER TOPIC
Digital Sound
DigitalSound.pdf.zip

Acoustics
AudioSpectrum.pdf.zip
Decibels.pdf.zip
FreqRangeMusicIns.pdf.zip
Loudspeakers.pdf.zip
Microphones.pdf.zip
MusicalInstruments.pdf.zip
Propagation of Sound.pdf.zip
Summary Qualities of Sound.pdf.zip
Voice.pdf.zip

Sound Design
FilteringPractical.pdf.zip
ManagingIntensity.pdf.zip
Morphology of Sound.pdf.zip
SoundProcessing01.pdf.zip
TimeIcons.pdf.zip